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Galería Colibrí catalogue #14, December 1965
ERNESTO RUIZ DE LA MATA
November, 1965 This present show of prints, which under the title "L'AVANT GARDE" is sponsored by Galería Colibrí, takes on the problematic question of offering a vision of the development of modern art from a very singular perspective. Covering the production of representative artists from different nationalities, mainly France, Italy and the United States, the show groups styles as diverse as they are symptomatic of the vertiginous formal change that has been taking place in the art of the drawing from the beginning of the century to the present. An interesting trajectory which from futurism, cubism, surrealism, abstractionism, informal art to pop-art shakes up the last six decades cyclically, leaving still perceptible vibrations and still visible traces in contemporary production. This exhibit is of special interest due to the fact that it presents, solely through the art of the print, a translation into one medium of so many different formal expressions, allowing the spectator to appreciate from one technical perspective the particular will of form of each one of these tendencies.
It might seem inadmissible to represent, under the title of "L'AVANT GARDE" , now defunct styles in terms of shock movements: futurism, cubism, surrealism. However, this is precisely the significant dominant factor of the show, since it presents exclusively works created in our lifetime, and furthermore, all of the prints reflect almost identical proportions. Thus, the opportunity to appreciate such a fluctuating stylistic phenomenon that is the art of the XX Century in a regular format is truly unique. The inclusion of figures like JOSEPH ALBERS (1888), GINO SEVERINI (1883), SONIA DELAUNAY, NEE TERK (1886), JEAN (HANS) ARP (1887), LUCIO FONTANA (1899), GUISEPPE CAPOGROSSI (1900), together with the younger representatives of the present generation, such as JEAN-JACQUES LEBEL (who together with ALLAN KAPROW, also represented, has been one of the creators/participators of the Happenings) and the group of North American pop-artists presents a very interesting contrast that illustrates the strange phenomenon of artistic co-existence in one same moment of generational groups which are very distant one from another. We should make special mention at this juncture of the case of JOSEPH ALBERS, who played a prominent role in the German Bauhaus and, despite his years, is even more contemporary than Picasso, as the most noted figure in the rise of optical art (the Pop of Op, as it has been called). The sweep of surrealism is clearly evident in the works presented, perhaps the most amply respresented stylistic group in the show. Even when certain key artists in the development of modern art do not appear in the present show, the echo of their styles can be heard in various of the works exhibited: MAGRITTE and ERNST in YOSO HAMAGUCHI, Japanese (1909) and MIMI PARENT, Canadian (1924); MIRO, curiously, in the North American sculptor RICHARD STANKEIWICZ (1922); KLEE and LAM in GIANNI DOVA, Italian, (1925) and LUCIO FONTANA, Italian (1899); HARTUNG in GIULIO TURCATO, Italian (1912); the texturalism of TAPIES in PAUP ANSOROV (1896); abstract impressionism in JEAN FOUTRIER, French (1896) and CLAUDE VISEAUX, French (1927); JACKSON POLLOCK in MIMO ROTELLA, Italian (1918); DUBUFFET in YASSE TABUCHI, Japanese (1921), HOST-EGON KALINOWSKI, German (1924), BORIS LURIE, Russian (1924) and MARIE CARLIER, Belgian (1920); MATHIEU and HARTUNG in HISAO DOMOTO, Japanese, (1928); MARCEL DUCHAMP in M. JANCO and futurism in RETH and STANTON MCDONALD WRIGHT. Cases like that of RICHARD STANKIEWCZ and the Italian GIO POMODORO, first prize for sculpture in the 1959 Paris Biennial, are of special interest since they are sculptors working within the framework of the print. The interest in letters and calligraphy, more for their plastic worth than the conceptual significance of the word integrated into the design, is manifest in the signature of the Viennese artist FRITZ HUNDERTWASSER (which is plastically more interesting than his print), and, more relevantly, in BERNARD QUENTIN, LEON FERRARI, BRUNO MUNARI, GUY HARLOFF, E.L.T. MESEN, JEAN-JACQUES LEBEL and ALLAN KAPROW. In the case of the last artist, we would say that his print has a very special iconography, since it describes a Happening written directly on the plate by KAPROW, who together with CLAES OLDENBURG, ROBERT RAUSCHENBERG and JAMES DINE, has distinguished himself through his experiments in this revolutionary form which escapes the limits not only of modern traditional theater but also the theater of the absurd. Together with the group of letterists already mentioned, a new motif, the CROSSWORD PUZZLE, in which the plastic is fused with the playful, is manifest in the prints of GASTONE NOVELLI, LETTE EISENHAUER and BILL COPLEY. From the crossword we move to the interest in the daily and the trivial in this neo-realist form that is pop-art. Perhaps the contemporary movement most homogenously represented in the show, since most of its most distinguished representatives are visible here: ANDY WARHOL, JAMES DINE, ROBERT INDIANA, JAMES ROSENQUIST, GEORGE SEGAL, WAYNE THEIRBAUD, ALLAN D'ARCANGELO, CLAES OLDENBRUG, ROY LICHTENSTEIN, GEORGE BRECHT and ROBERT WATTS. WATTS uses a theme which has become an iconogaphic motif preferred by some of the pop artists, the North American bank bill, which has been mockingly used by PHILIP HEFFERTON and ROBERT DOWDS in several of their works. The use of offset printing, an unorthodox technique (except for the field of illustration and commercial art) and possibly for some alarmingly heretical, seems to us validly employed in the works of ANDY WARHOL, JAMES ROSENQUIST, ROBERT INDIANA and STEPHEN DURKEE. From the above, the singular character manifested in the present show is clear, as we alluded to it before. It's an interesting show both from the perspective of the collector and that of the art historian: a select grouping of works which, through the framework of the print, allows us to feel the heartbeat of art in the last decades. CATALOGUE Luigi Marrozzini The" International Anthology of the Contemporary Print" of 130 etchings was selected by Tristan Sauvage (in collaboration with Billy Kluver for the American artists). All the etchings, which measure approximately 7” x 6”, were printed in Paris in the Atelier of Georges Leblanc on hand made paper from Papeteries de Rives. The edition was limited to sixty prints, numbered from 1 to 60 and signed by the artists, in addition to 25 hors commerce reserved for the collaborators, numbered from I to XXV and fifteen artist proofs. The plates were destroyed after the printing. 1. NOBUYA ABE - Japan 2. JOSEF ALBERS -Germany 3. PIERRE ALECHINSKY - Belgium 4. ALEXANDRE ARCHIPENKO -Russia 5. HANS ARP (JEAN) - France 6. ENRICO BAJ - Italy 7. MIRIAM BAT-YOSEF - Germany 8. HANS BELLMER 9. GIANNI BERTINI - Italy 10. GUIDO BIASI 11. BONA - Italy 12. GEORGE BRECHT - U.S.A. 13. VICTOR BRAUNER 14. CAMILLE BRYEN - France 15. TADEUSZ BRZOZOWSKI - Poland 16. CARL BUCHHEISTER - Germany 17. MARCELLE CAHN - France 18. GIUSEPPE CAPOGROSSI - Italy 19. MARIE CARLIER - Belgium 20. AGUSTIN CARDENAS - Cuba 21. SERGE CHARCHOUNE - France 22. CHINN YUEN-YUEI -China 23. BILL COPLEY - U.S.A. 24. CORNIELLE - Belgium 25. ROBERTO CRIPPA - Italy 26. SERGIO DANGELO - Italy 27. ALLAN D'ARCANGELO - U.S.A. 28. SONIA DELAUNAY - Russia 29. LUCIO DEL PEZZO - Italy 30. PAUL DELVAUX 31. JIM DINE - U.S.A. 32. JUN DOBASHI - Japan 33. CESAR DOMELA - Holland 34. HISAO DOMOTO - Japan 35. GIANNA DOVA - Italy 36. MARCEL DUCHAMP 37. STEPHEN DURKEE - U.S.A. 38. LETTE EISENHAUER - U.S.A. 39. MAX ERNST 40. OEYVIIND FAHLSTROEM - Brazil 41. FARFA - Italy 42. JEAN FAUTRIER - France 43. FERRO - Iceland 44. LEON FERRARI - Argentina 45. STANLEY FISHER - U.S.A. 46. LUCIO FONTANA - Italy 47. WILHELM FREDDIE 48. JOHNNY FRIEDLANDER - Germany 49. ROLAND GIGUERE - Canada 50. HENRY GINET - France 51. ALBERTO GIRONELLA - Mexico 52. NATHALIE GONTCHAROVA 53. SAM GOODMAN - Canada 54. RED GROOMS - U.S.A. 55. YOZO HAMAGUCHI - Japan 56. STANLEY WILLIAM HAYTER- England 57. GUY HARLOFF - France 58. RAOUL HAUSMANN - Austria 59. JACQUES HEROLD - 60. PHILIPPE HIQUILY - France 61. FRITZ HUNDERTWASSER - Austria 62. TOSHIMITSU IMAI - Japan 63. ROBERT INDIANA - U.S.A. 64. MARCEL JANCO - Romania 65. HORST-EGON KALINOWSKI - Germany 66. ALLAN KAPROW - U.S.A. 67. JOSEPH LACASSE - Germany 68. JACQUES LACOMBLEZ - Belgium 69. WILFREDO LAM - Cuba 70. JUAN LANGLOIS - Argentina 71. MICHEL LARIONOV - Russia 72. JEAN-JACQUES LEBEL - France 73. ROY LICHTENSTEIN - U.S.A. 74. BORIS LURIE - Russia 75. STANTON MACDONALD-WRIGHT - U.S.A. 76. JOSAKU MAEDA - Japan 77. ALBERTO MAGNELLI - Italy 78. RENE MAGRITTE - Belgium 79. PAUL MAUSOUROV - Russia 80. PHILIP MARTIN - England 81. ANDRE MASON - France 82. ECHAURREN R. MATTA - Chile 83. HANS MEYER-PETERSEN - Denmark 84. E. L. T. MESENS - Belgium 85. BRUNO MUNARI - Italy 86. RODOLFO NIETO - Mexico 87. GASTONE NOVELLI - Austria 88. CLAES OLDENBURG - Sweden 89. EDOARDO PAOLOZZI - Scotland 90. MIMI PARENT - Canada 91. ACHILLE PERILLI - Italy 92. MARIO PERSICO - Italy 93. EMILIO PETTORUTI - Argentina 94. CESARE PEVERELLI - Italy 95. ARNALDO POMODORO - Italy 96. GIO POMODORO - Italy 97. BERNARD QUENTIN - France 98. MAN RAY - U.S.A. 99. KRISHNA N. REDDY - India 100. ALFRED RETH - Hungary 101. CARL FREDRICK REUTERSWAERD - Sweden 102. PAUL REVEL - France 103. HANS RICHTER - Germany 104. JAMES ROSENQUIST - U.S.A. 105. MIMMO ROTELLA - Italy 106. KEY SATO - Japan 107. EMILIO SCANAVINO - Italy 108. GEORGE SEGAL - U.S.A. 109. VICTOR SERVRANCHX 110. GINO SEVERINI - Italy 111. LEOPOLD SURVAGE - Russia 112. RICHARD STANKIEWICZ - U.S.A. 113. MAX-WALTER SWANBERG - Sweden 114. YASSE TABUCHI - Japan 115. TAKIS - Greece 116. TANCREDI - Italy 117. TERZY TCHORZEWSKI - Poland 118. WAYNE THIEBAUD - U.S.A. 119. JEAN TINGUELY - Switzerland 120. TOYEN - Checkoslovakia 121. GIULIO TURCATO - Italy 122. GEORGES VANTONGERLOO - Belgium 123. ANDRE VERLON - Switzerland 124. JEAN-PIERRE VIELFAURE - Algeria 125. CLAUDE VISEUX - France 126. ANDY WARHOL - U.S.A. 127. ROBERT WATTS - U.S.A. 128. ROBERT WITMAN - U.S.A. 129. ENRIQUE ZANARTU - France 130. JACQUES ZIMMERMANN - Belgium
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